I want to evoke an awareness within the observer of what it means to be subjected to passive viewership of oneself - to be reduced to objectification. 

Central to my exploration is the interplay between viewer and subject matter, particularly focusing on female identity. Employing both abstraction and figuration, the figures in my compositions serve as focal points amidst vibrant, textured environments. Yet, these figures are not static; they are fragmented, their forms enlarged and displaced - a deliberate fracturing that underscores their discomfort under scrutiny. Their poses serve to intensify this, along with their saturated red and yellow skin tones. In recent works, I have introduced elements such as window panes. I chose this to be a subtle reminder of the voyeuristic relationship between the observer and the observed. 

Through these compositions, I actively challenge the passive portrayal of women as mere subjects, urging viewers to confront the complexities of perception and power dynamics inherent in the act of looking.